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Stahly, Sound Re-Recording Mixer : Michael Minkler, Sound Re-Recording Mixer : Bob Beemer, Sound Effects Editor : Christopher Assells, Sound Effects Editor : Dino Dimuro, Sound Effects Editor : Peter Staubli, Foley : Dan O'Connell, Foley : John T. Scott Doran, Leadman : Chris Ashley, Supervising Sound Editor : Per Hallberg, Supervising Sound Editor : Karen Baker Landers, Dialogue Editor : Chris Hogan, Dialogue Editor : Frederick H. Hampton, Assistant Art Director : Abdellah Baadil, Assistant Art Director : Monica Sallustio, Assistant Art Director : Saverio Sammali, Assistant Art Director : Antonio Tarolla, Set Designer : Alex McCarroll, Set Designer : Rich Romig, Property Master : Brad Einhorn, Supervising Art Director : Charley Beal, Construction Coordinator : Daniel Pemberton, Construction Foreman : Francesco Valento, Leadman : R. Anzures, Production Manager : Lucio Trentini, Post Production Supervisor : Teresa Kelly, Art Department Coordinator : Francesca Birri, Art Department Coordinator : Wendy Means, Supervising Art Director : Peter J. Schlissel, Producer : Ridley Scott, Music : Marc Streitenfeld, Director of Photography : Alexander Witt, Editor : Pietro Scalia, Casting : Jina Jay, Casting : Avy Kaufman, Production Design : Arthur Max, Art Direction : Robert Cowper, Art Direction : Alessandro Santucci, Set Decoration : Sonja Klaus, Screenplay : David Ignatius, Costume Design : Janty Yates, Makeup Artist : Bernadette Mazur, Hairstylist : Audrey L. Supervising Art Director : Marco Trentini, Costume Supervisor : Abdelkrim Akallach, Costume Supervisor : Clare Spragge, Director : Ridley Scott, Novel : David Ignatius, Screenplay : William Monahan, Line Producer : Zakaria Alaoui, Executive Producer : Michael Costigan, Producer : Donald De Line, Executive Producer : Charles J.D.
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Software File Name: Zemax_OpticStudio_18.4.1_Build_.zip.Technical Details of Zemax OpticStudio 18.4 Important diffraction with laser beams and much more.Customize different characteristics of the physical optics.Auto-parameters and minimizing the number of disturbances.Improve the lens design by taking in the account.Non-sequential tracking through the optical elements.Perform continuous tracking using the optical elements.A rich library of elements to use in the models.Model the effect of the optical coatings and surface components.Model optical systems and customize light elements.



Model the effect of optical coating and a lot of other components makes it possible to enhance the lighting for shooting. Also, it is possible to model different lenses, mirrors and other elements without any hard efforts.
